Sometimes I feel like I’m living in a science fiction movie. I was enjoying our writer’s group meeting at the (staid) public library, when two friends walk in. Nothing too unusual, aside from their costumes: red jackets, big sunglasses, and shiny hats made from colanders and foil. They are walking stiffly, like robots. With fists full of flowers. It’s as is Trudy from Search for Intelligent Life had sent her friends on a mission. To deliver cake, studded with pipe cleaners and flowers.
CAKE! Did I need cake? In preparation for the sugary holiday treats, I brought strawberries (thank god!). Gwen brought cookies. Kay arrived with her usual witticisms wondering aloud if she brought cookies would it distract us from noticing she hadn’t accomplished her writing goals. And then there’s cake.
Our meeting leader did a magnificent job of reclaiming our attention, distracted as we were by the sweet treats. We did manage to share our work and glean inspiration for our future efforts. (For more info on the writers group, go here)
My life is populated with colorful, creative characters, brilliant, loving people who weave their creative joy through my life, and I wouldn’t have it any other way.
And if I see little green men on the way home, I won’t bat an eye.
I’m exploring acrylic painting again, after a hiatus of five or six years. In 2005 a bout with asthma found me attempting to replace oils with acrylics for my landscape painting – an experiment which frustrated me a great deal.
My plein aire work in oil-on-paper relies in part on the sinuous fluidity of oil itself, something I cannot recreate with acrylic mediums.
Fortunately, the asthma is gone, and I have returned to oil painting the way I love to do it. With acrylics, I learned to avoid trying to make it do something it did not do well, to let the medium be itself. Acrylic paints are, forgive the pun, amazingly plastic, as in malleable, changeable, flexible.
Recently, my students have been asking how acrylic and oil are different from the watercolor they have been working with. Since I teach a transparent approach to watercolour, I think the addition of opaque white into your palette is the first major change, and it can change everything!